Day two, and “the festival of individual story telling” continues in Park City at the Sundance Film Festival.
Every year Robert Redford gets older, the traffic grows heavier and the “films” grow…well, the films grow. 119 to choose from this year. I should be able to find something I like.
Every year there are several motifs that emerge from the dozens of films selected for the festival. They reflect subjects in the current year that the Sundance selection committee feels need more cultural exposure. In addition to the perennial faves of drugs, sex and rock and roll, themes from previous years that have been selected to entertain us have been as wide ranging as suicide, transgendered relationships, dysfunctional families, dysfunctional gay families and the dangers of right wing extremists. Now that I’ve had a chance to study this year’s catalog of films I can report on some of the major trends for 2013.
This year’s Sundance logo. I see the design team’s gone minimalist. Watch for this emerging trend; it occurs regularly as recessions drag into decades.
Wow! Is that a stunning anti-Mad Man logo or what? And it fits perfectly with theme number 1 this year: anti-capitalism. (There are other themes too, butt I’ll cover them later.) Offered up in this category: “The East,”